Il tempo del cinema nel tempo del museo

The essay explores the relationship between cinema and the museum through their temporal identities. It examines three dimensions of time: structural, tied to the ontology of both media; experiential, related to the duration of viewing and visiting; and generative, activating reflections on becoming and memory. After analyzing these in the context of the digital ecosystem, the essay investigates how film temporality is remediated in the museum, focusing on the case of ACMI in Melbourne.