ID:
500495
Duration (hours):
36
CFU:
6
SSD:
ARCHIVISTICA, BIBLIOGRAFIA E BIBLIOTECONOMIA
Located in:
CREMONA
Year:
2025
Overview
Date/time interval
Primo Semestre (29/09/2025 - 23/01/2026)
Syllabus
Course Objectives
The course aims firstly to acquaint students with the existence of certain bibliographic resources essential for basic musicological research. Secondly, it aims to initiate students into a methodologically correct use of those resources, for a full retrieval of the data they offer and a complete understanding of them. The course also aims to stimulate students to develop a critical attitude that will lead them to be able to measure efficiency and reliability not only of the bibliographic resources discussed during the lectures, but especially those that they will discover and use independently in relation to the information needs that will arise in the course of their subsequent studies. At the end of the course, the student should be able to carry out bibliographic research independently, should be able to express the results of the research with correct terminology, and should be able to enucleate the positive findings of the research, but also the possible persistence of critical issues that have emerged.
Course Prerequisites
Full familiarity with alphabetical, numerical and chronological sorting criteria is assumed. Knowledge of the main features of modern history and a secure orientation in the geography of at least Europe are also required. Common skills in the use of computers are essential, and a basic knowledge of at least English is highly desirable.
Teaching Methods
Lectures (with extensive use of on-screen presentations) during which the different types of bibliographic resources analysed in the course are introduced and discussed. Presentations will be made available to students on the KIRO moodle platform. Guided exercises in the use of bibliographic resources for solving musicological research problems; exercises will be conducted in the library, subject to space availability. Self-tests and a simulation of the written exam will be made available on the Kirotesting platform. Attendance is recommended. Students authorized to benefit from inclusive teaching will be able to access video recordings of lectures.
Assessment Methods
The examination consists of a written test and an oral test. It is possible to take the oral test only after successfully passing the written test. It is possible to take the written and oral tests in different sessions; however, the official grade will be recorded only after completion of the two tests. The written test aims to test the candidate's ability to know how to correctly use the main bibliographic resources presented during the course: Music Dictionaries, Music Theme Dictionaries, RILM, RISM (series A/I, A/II, B/I, B/II), University Opac, SBN Opac. [All resources provided for the test are accessible online.] The test consists of a multiple-choice quiz administered electronically. Maximum time of the test: 1h30'. The test is considered passed only if it reaches a grade of at least 15/30 points. The maximum grade reaches 21/30, a grade that can be increased with the oral test. The oral test consists of the presentation and discussion of the topics presented during the course. It will be evaluated primarily on the accuracy and congruence of the answers, the appropriate use of the terminology of the discipline and the critical ability to discuss the topics examined, but also on the ability to rework with one's own expressions the disciplinary content and, more generally, on the quality of the eloquence. The evaluation of the oral test is independent of the written test: therefore, success in the written test is not an a priori guarantee of an equally favorable result in the oral test. The oral test is considered passed only if it reaches a grade of at least 6/30 points; the maximum grade reaches 12/30. The grade in the oral test is added to that achieved in the written test, determining the final grade. Students authorized to benefit from inclusive teaching will be able to take the examination tests remotely, in telematic form.
Texts
• Bianchini, Carlo–Guerrini, Mauro, Guida alla biblioteca e alla ricerca bibliografica. Milano: Editrice bibliografica, 2024, (Biblioteconomia e scienza dell’informazione, 51) • Gardner, Matthew–Springfeld, Sara, Musikwissenschaftliches Arbeiten: eine Einführung. Kassel: Bärenreiter, 2018, (Bärenreiter Studienbücher Musik, 19) • Jane Gottlieb, Music library and research skills. New York-Oxford: Oxford University Press, 2017, 2. edition [capitoli 1, 2 (fino a p. 52), 3 (fino a p. 80), 6, 8 (fino a p. 194 + pp. 212-218), 10 (fino a p. 263+ le schede relative a J.S. Bach, Beethoven, Brahms, Händel, Haydn, Mozart, Schubert, Schumann] • Carmela Bongiovanni, Introduzione alla bibliografia musicale: istituzioni, risorse, documenti. Milano: Ledizioni, 2018 [parte prima e parte seconda] • Merizzi, Gianmario. La ricerca bibliografica nell’indagine storico-musicologica. Bologna: Clueb, 1996, (Alma materiali. Didattica) • [MusRef] https://musref.lib.byu.edu/
Contents
Listing, practical knowledge and evaluation of the main tools needed to initiate and further a musicological study. 1. Basic course bibliography. 2. Formats of publications (monographs, anthologies, journals, dictionaries) and forms of bibliographic citation. 3. Library catalogs. Boolean operators. Opacs and Metaopacs. 4. Music dictionaries and encyclopedias. 5. Dictionaries of musical themes (including online). 6. Bibliographies vs. Catalogs; typical structure of a bibliography; general hints on search and reference strategies. 7. The RILM: organization and results; examination of the electronic format. Statistical assessments of the degree of coverage and updating. 8. The BMS. Comparison with the RILM. 9. General retrospective bibliographies: their function. 10. Perusal of musicological journals: Music Index and Music Periodicals Database. 11. The Jstor service. 12. Retrospective perusal of journals: the RIPM. 13. Types of notated music and forms of bibliographic citation. 14. Census and location of music witnesses. The RISM. Scope, publications, characteristics of the three series A, B, C. 15. The census of Italian collections: the Cabimus, the services of the URFM. 16. Eitner's works: the Quellenlexikon and the Bibliographie der Musiksammelwerke. Their historical and current importance. 17. The search for notated music in Opacs (SBN) and digital libraries. 18. Catalogs of publishing houses: their use for musicological research. 19. Thematic catalogs: characteristics and function. The index of music themes. Review of some basic thematic catalogs. 20. The audiorecordings (hint). 21. Electronic resources for musicological research: considerations 22. Hands-on research exercises using dictionaries (including dictionaries of musical themes), RILM, RISM, Opacs
Course Language
Italian
More information
Students unable to attend classes are invited to agree any additions to the program as soon as possible with the teacher.
Degrees
Degrees
MUSICOLOGY
Bachelor’s Degree
3 years
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