The “Canzonetta in lode alla Santissima Trinità” Roles and Rules of Devotion Expressed Through Singing

In Central Italy, not too far from Rome, there is a shrine consecrated to the Holy Trinity. Since hundreds of years, thousands of pilgrims
from the entire Lazio region and also from the Abruzzi region go there organized in companies of their own villages. Many of them still go by
foot, traveling for tens of kilometers through predetermined paths in nature and villages. During the trip and the “visit” (as the pilgrims call their
presence at the shrine), the devotion is expressed through music, singing or playing a narrow amount of songs. In particular, pilgrims execute the
“Canzoncina in lode alla Santissima Trinità” (“Ditty of praise of the Holy Trinity”). This narrative song has been played at least since the beginning
of the last century. It can be performed in heterophony, in monody or polyphony and every company adapts it to a peculiar version, through modifications
of rhythm and melody, representative of the company itself. This does not mean that every company sings always in the same way. In this
kaleidoscopic kind of performance, some pilgrims have a leading role, in order to preserve the style of their own company, or to change it. They can
sing, play an instrument or declaim the words of the song. In the article I describe the role of this song and analyze the position of
the leaders of the performances, the awareness and response of the group and the meaning of the interaction between leader/s and group within the company.