Data di Pubblicazione:
2010
Abstract:
Italian Cinema of the Thirties presents a broad collection of female figures, while it certifies in real time the increased precence of women on the social scene. The essay deals in particular with the figure of the mother, which is a real hub of both the cultural politic of fascism and of the re-articulation of imaginary.
Tipologia CRIS:
1.1 Articolo in rivista
Keywords:
Cinema and Fascism; Italian Cinema; Women in Film; Gender Studies; Cinema and Italian Modernity
Elenco autori:
Mosconi, Elena
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