507730 - STRUMENTI MUSICALI DEL MONDO

Per la parte introduttiva all’Etnomusicologia e alle problematiche relative agli strumenti musicali del mondo si farà riferimento al materiale prodotto dalla docente e messo a disposizione su Kiro. Sono parte integrante della preparazione comune a tutti i seguenti testi: - AA.VV. Instruments de musique du monde, Parigi, CNRS, CD con allegato libretto BAUMANN, M. P. 2000, “The Local and the Global: Traditional Musical Instruments and Modernization”, in The World of Music vol. 42 n° 3, Local Musical Traditions in the Globalization Process, pp. 121-144 - DOURNON G., 2005, “Strumenti musicali del mondo: proliferazioni e sistemi”, in Enciclopedia della musica Einaudi, volume V, pp. 842-873 - GUIZZI F., “La conservazione e il restauro degli strumenti musicali della tradizione popolare”, disponibile on line alla pagina: www.rebel.lombardia.it/wp-content/uploads/2012/12/Febo-Guizzi.pdf - GIANNATTASIO F., 2003, “Il concetto di musica in una prospettiva culturale”, in Enciclopedia della musica Einaudi, volume III, pp. 978-1004 - GUIZZI F., “Sistematica degli strumenti musicali Erich M. von Hornbostel - Curt Sachs” in Cristina Ghirardini (a cura), 2020, Reflecting on Hornbostel-Sachs’s Versuch a century later. Proceedings of the international meeting Venice, 3-4 July 2015, Quaderni di Etnomusicologia, Fondazione Ugo e Olga Levi. pp. 281-341 - JOHNSON, H. M., 1995, An ethnomusicology of musical instruments: form, function, and meaning. Journal of the Anthropological Society of Oxford, 257-269 STAITI N., 2025, “Strumenti musicali, musica strumentale e forme di danza”, in Ascoltate miei cari signori: le musiche di tradizione orale in Italia. Udine: Nota, pp. 49-76 - STOCKMANN Eric, “Teoria e metodo per lo studio degli strumenti di musica popolare”, in Culture musicali, III, 5-6, pp. 3-17 Inoltre gli studenti dovranno portare due testi a scelta tra: - AUBERT L. et alii, Pianeta musicale : strumenti musicali dei cinque continenti, Ivrea : Priuli & Verlucca, 1991 (uno o più capitoli a scelta) - BAILY J., “Struttura musicale e movimento umano”. In T. Magrini, Uomini e Suoni, 1995 - BARIAUX D. et Didier DEMOLIN, “Naissance de la voix d’un tambour à fente chez les Mangbetu. Du geste de l’artisan à celui du musicien et du danseur” In Cahiers d’ethnomusicologie n°8, 1995 - BATES E., “The social life of Musical instruments”, in Ethnomusicology vol. 56, n° 3, pp. 363-395 - BUBARIS, N. (2014). Sound in museums & museums in sound. Museum Management and Curatorship, 29(4), 391-402 - BIRLEY M., Heidrun EICHLER, and Arnold MYERS, with the CIMCIM Working Group for Education and Exhibitions, Voices for the silenced: Guidelines for Interpreting Musical Instruments in Museum Collections - Cahiers d'ethnomusicologie 2/1989 - Instrumental (un articolo a scelta) - Culture musicali 4, 1983 (scegliere uno o più contributi) - CREUTZENBERG J. and YATES-LU A., "Introduction: Korean Traditional Music on Global Stages", the world of music 11 (2022) 1: 5–21 - DEHAIL J., 2019, “De la classification scientifique des instruments de musique. Le rôle du musée dans le développement de l’organologie”, in S.A.C. | « Revue d'anthropologie des connaissances » 2019/3 Vol. 13, N°3, pp. 781-792 - DE KEYSER I. (ed.), Annual Meeting of the International Committee of Musical Instrument Museum and Collections CIMCIM 2011 – Tervuren. Reports. Collection digitale, pp. 81-114 - DOUBLEDAY V., 2008, “Sounds of Power: An Overview of Musical Instruments and Gender”, Ethnomusicology Forum , Vol. 17, No. 1, 'Sounds of Power': Musical Instruments and Gender (Jun.,), pp. 3-39 - FELD S. 1986 Sound as a symbolic system: the Kaluli drum, in C. Frisbie, ed., Explorations in Ethnomusicology in honor of David McAllester. Information Coordinators, pp.147-58. Reprinted in David Howes, ed. The Varieties of Sensory Experience, U. Toronto Press, 1991. - GHIRARDINI C. (a cura), 2020, Reflecting on Hornbostel-Sachs’s Versuch a century later. Proceedings of the international meeting Venice, 3-4 July 2015, Quaderni di Etnomusicologia, Fondazione Ugo e Olga Levi. Un capitolo a scelta tra (a scelta tra i contributi di: Florence Gétreau, Marie- Barbara Le Gonidec, Margaret Birley and Arnold Myers, with Rupert Shepherd, Ghirardini) - HOUSSAY A. et Wolfgang FRÜH, 2011, “Restauration d’une kuitra du xixe siècle”, in CIMCIM 2011 Report of the Annual Meeting of the International Committee of Musical Instrument Museum and Collections, a cura di Ignace de Keyser, pp. 87-109 - IN-PYONG CHUN, "Korea's Unique "Kŏmun'go" Zither and its Roles in Korean Music: Challenging the Dichotomies of "Traditional" "Kugak" and "Creative" "Ch'angjak Kugak"", Korean Studies , Vol. 35 (2011), pp. 44-70 - ISOLABELLA M. and R. Jiménez PASALODOS, “From Mud to Music: The Production and Uses of Clay Drums in Morocco”, Etnografie sonore 219 - JAHNICHEN G., "Migrating lutes: silky strings and gendered ideologies", Asian ethnology 72 (1), 2019, pp. 127-151 - LECLAIR M., “La musique et ses instruments au musée du quai Branly”, La Lettre de l’OCIM. Musées, Patrimoine et Culture scientifiques et Techniques 112 | 2007 - LUC C.-D., “« Jouer », « sonner », « toucher » Une taxinomie française historique et dualiste du geste musical”, Cahiers d’ethnomusicologie [En ligne], 14 | 2001 - MEANDRI I. e Cristina GHIRARDINI (a cura), 2019, Sound Archives & Musical Instruments Collections, LIM. Capitoli 2 e 3 (pp. 27-102) - NEUENFELDT K., "Good Vibrations? The "Curious" Cases of the Didjeridu in Spectacle and Therapy in Australia", The World of Music , Vol. 52, No. 1/3, the world of music: Readings in Ethnomusicology (2010), pp. 82-103 - POLAK R., "A Musical Instrument Travels Around the World: Jenbe Playing in Bamako, West Africa, and Beyond", The World of Music , Vol. 52, No. 1/3, pp. 134-170 - QURESHI R. 2000, “How Does Music Mean? Embodied Memories and the Politics of Affect in the Indian "sarangi"”, American Ethnologist, Vol. 27, No. 4, pp. 805-838 - RANCIER M., 2014, “The Musical Instrument as National Archive: A Case Study of the Kaakh Qyl-qobyz”, in Ethnomusicology vol. 58 n° 3, pp 379-404 - RICCI A. R. TUCCI,1998, “Folk Musical Instruments in Calabria”, in The Galphin Society Journal, vol.41, pp. 36-58 - RICCI A. , 2005, “Musicisti e zampogne del Lazio meridionale” In Mauro Gioielli (a cura) Le zampoghe a sacco in Italia, pp. 131-154 - SACHS C., La signification, la tâche et la technique muséographique des collections d’instruments de musique, in Actes du Premier Congrès International de Musicologie, Parigi 1934. - SEYEMA T., "The Re-contextualization of the Shakuhachi (Syakuhati) and its Music from Traditional/Classical into Modern/Popular", The World of Music, Vol. 52, No. 1/3, pp. 104-117 - STAITI N., 2021, Il Museo cultura e musica popolare dei Peloritani, Etnografie Sonore/ Sound Ethnographies, 4, pp. 137 – 148 THE WORLD OF MUSIC Vol. 40 n° 2 – Old Instruments in New Contexts: Case Studies of Innovation and Appropriation (uno o più articoli a scelta) - TUCCI R. RICCI A.,1995,”The Chitarra Battente in Calabria”. in The Galpin Society Journal, Vol. 38, pp. 78-105- WEISSER, S., & QUANTEN, M. (2011). Rethinking musical instrument classification: towards a modular approach to the Hornbostel-Sachs system. Yearbook for traditional music, 43, 122-146 - WON LEE B., Korean Court Music and Dance, The World of Music , Vol. 23, No. 1 (1981), pp. 35-51