Basic knowledge of medieval and modern art history.
Teaching Methods
The course is taught in a blended format. Half of the lessons are available online asynchronously, while the other half are taught in presence. Detailed information will be available on the KIRO course page. The course includes lectures, focusing in particular on the analysis of images of works of art. The part of the course dedicated to writing the scientific entry will have a seminar character. Non-attending students must agree with the teacher to choose a work for which to write a scientific entry. Students who are authorized to benefit from inclusive/innovative teaching must contact the teacher to arrange specific meetings dedicated to them.
Assessment Methods
Oral examination. During the exam will also be discussed the scientific entry previously prepared by the student.
Texts
- E. PANOFSKY, Il Padre Tempo, in Studi di iconologia. I temi umanistici nell’arte rinascimentale, (1939), ed. it. Torino, Einaudi, 1999, pp. 89-134. - F. ZERI, Rintracciando Donato de’ Bardi; Aggiunte a Donato de’ Bardi, (1973; 1976), in Giorno per giorno nella pittura. Scritti sull’arte dell’Italia settentrionale dal Trecento al primo Cinquecento, Torino, Allemandi ,1988, pp. 35-46. - F. ZERI, “Ioanes Ispanus”, (1948), in Giorno per giorno nella pittura. Scritti sull’arte dell’Italia settentrionale dal Trecento al primo Cinquecento, Torino, Allemandi, 1988, pp. 343-346. - F. ZERI, Eccentrici fiorentini. 1, (1962), in Giorno per giorno nella pittura. Scritti sull’arte italiana del Cinquecento, Torino, Allemandi, 1994, pp. 25-37. - H. BELTING, Giovanni Bellini. La Pietà, Modena, Franco Cosimo Panini, 1996, pp. 9-31. - F. FRANGI, La partenza del figliol prodigo di Francesco Cairo. Attorno a un quadro perduto (e ritrovato) delle collezioni dell’Ambrosiana, in Cara scientia mia, musica. Studi per Maria Caraci Vela, a cura di A. Romagnoli, D. Sabaino, R. Tibaldi, P. Zappalà, Pisa 2018, pp. 177-189. Additional bibliography for non-attending students: - Dipinti in Valpadana tra Medioevo e Rinascimento. Studi al Museo di Belle Arti di Budapest in ricordo di Miklos Boskovits, Milano, Scalpendi editore, 2014, pp.28-107.
Contents
The philological analysis of works of art. In particular, the understanding of the material, stylistic and iconographic prerogatives of works of art will be illustrated, as well as research aimed at recognizing their original function and their story. A part of the course will focus on the writing of a scientific entry of a work of art.
Course Language
Italian
More information
The images of the works of art analyzed during the course and the papers not otherwise available will be uploaded on KIRO.
